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Concepts
Type
About
Resource address
Intelligence
Toolkit
test
http://www.bbk.ac.uk/study/2020/postgraduate/programmes/TMAAPLMN_C
Industries
Report
Siepel, J. et al introduce a new experimental approach to understanding the clustering of
 UK creative industries businesses. By using data from the websites of 200,000 creative industries businesses and organisations, it identifies creative ‘microclusters’ at street, neighbourhood, and town level exploring the UK’s creative clusters and microclusters in greater detail through a representative survey of 976 creative industries businesses.
https://www.pec.ac.uk/assets/publications/PEC-Creative-Radar-report-November-2020.pdf
Intersectionality
Report
Gorman, S. (2017) Where am I? Black Asian and minority ethnic role models in performing arts? London: MAYA productions. This research project report explores the importance of BAME role models for developing a more diverse work force. It also looks into concerns of Arts Council England and other key sector bodies and a growing public recognition.
https://www.cloreleadership.org/sites/cloreleadership.org/files/suzanne_gorman_bame_role_models.pdf
Industries
Report
Centre for Economics and Business Research (2019) The Contribution of Arts and Culture Industry to the UK Economy report. London: ACE. The Contribution of Arts and Culture Industry to the UK Economy report based on data gathered from the Office of National Statistics.
https://www.artscouncil.org.uk/sites/default/files/download-
Intersectionality
Report
Janke, T. (2018) First Peoples: Indigenous engagement in museums and galleries. Melbourne: Australian Museums and Galleries Association. The policy papers focus on key elements for change, including: reimagining representation; embedding indigenous values; increasing indigenous opportunity; the two-way of taking care of cultural material; and connecting with indigenous communities.
https://apo.org.au/node/236186
Industries
Report
Lilley, A. and Moore, P. (2013) Counting What Counts: What big data can do for the cultural sector. London: Nesta. This report argues that it is time for a change in the approach of arts and cultural bodies towards data, particularly ‘big data’.
http://creative-blueprint.co.uk/library/item/counting-what-count-what-big-data-can-do-for-the-cultural-sector
Industries
Report
Cauldwell-French, E., Easton, E. and Julian C. (2017) Because the Night: Why what happens after dark matters to the creative industries. London: Creative Industries Federation. This report sets out why the night-time economy is important for the UK’s creative industries, finding audiences, generating a local creative network, attracting talent to towns and cities, developing skills, and providing infrastructure.
https://www.creativeindustriesfederation.com/sites/default/files/2017-06/NightTimeEconomy_V9.pdf
Innovation
Toolkit
Keane, T. et al (2014) Development Impact & You Toolkit. London: Nesta. This toolkit outlines how to invent, adopt and adapt ideas that can deliver better result.
https://diytoolkit.org/media/DIY-Toolkit-Full-Download-A4-Size.pdf
Industries
Report
Engin, E. et al (2017) Mapping the value chain: A study of the economy of culture in the digital age. Brussels: European Commission. This report maps the different value chains for the visual arts, performing arts, cultural heritage, crafts, book publishing, music, film, TV and broadcasting as well as multimedia. The study also examines how the competitive position of cultural and creative sector is affected by digitisation.
https://publications.europa.eu/en/publication-detail/-/publication/4737f41d-45ac-11e7-aea8-01aa75ed71a1
Identity
Toolkit
The US Department for Arts and Culture (2017) Policy on Belonging Kit. USDAC. This Kit identifies the chief cultural deficit in the USA and aims to invest in belonging and cultural citizenship. The toolkit was developed by the people-powered US Department of Arts and Culture (USDAC) after the 2016 election.
http://www.emergingsf.org/wp-content/uploads/2017/09/Policy-on-Belonging-Toolkit.pdf
Industries
Data Set
The Creative Capital Index is a system for assessing the realised and hidden potential of cities within the sphere of the new economy. The pilot version of the Index, launched in 2016, included nine Russian cities while others were added over time, where the number of cities reached 20 in 2018.
http://creativecapitalindex.com/
Identity
Report
Museums Association (2016) Valuing Diversity: The Case for Inclusive Museums. London: MA. This report captures voices and perspectives from across the museum sector and beyond on the subject of diversity in museums at the present moment.
https://www.museumsassociation.org/download?id=1194934
Industries
Report
Anheier, H. et al (2017) Cultural Participation and Inclusive Societies. Strasbourg: Council of Europe. This is a thematic report on participation. Drawing on data collected within the Indicator Framework, it explores what links, if any, exist between a population’s cultural participation and the commonly identified characteristics of an open, inclusive society, such as tolerance and trust.
https://rm.coe.int/cultural-participation-and-inclusive-societies-a-thematic-report-based/1680711283
Industries
Case Study
Balta, J. (ed.) (2014) Enabling Crossovers: Good practices in the creative industries. Singapore: Asia Europe Foundation. This compilation showcases examples of policy and practice that may serve as inspiration for networking, collaboration and policy making.
http://www.asef.org/images/ASEF_Publication_EnablingCrossovers.pdf
Industries
Policy Paper
HM Government (2018) Industrial Strategy- Creative Industries Sector Deal. London: UK Government. This white paper outlines the UK Government's commitment to invest to the lifecycle of creative businesses.
https://assets.publishing.service.gov.uk/government/uploads/system/uploads/attachment_data/file/695097/creative-industries-sector-deal-print.pdf
Industries
Report
Bazalgette, P. (2017) Independent Review of the Creative Industries. London: UK Government. This review outlines key recommendations on how the Creative Industries can underpin the UK’s future economic growth.
https://assets.publishing.service.gov.uk/government/uploads/system/uploads/attachment_data/file/649980/Independent_Review_of_the_Creative_Industries.pdf
Industries
Report
UNCTAD (2018) Creative economy outlook. Geneva: UNCTAD. This report includes profiles for 130 economies and highlights potential opportunities for developing countries to increase their production, exports and share in creative industries markets. The report makes the point for increased public and private sector investment in creative industries.
https://unctad.org/en/PublicationsLibrary/ditcted2018d3_en.pdf
Intersectionality
Report
Khan, O and Shaheen, F. (2017) Minority Report Race and Class in the post-Brexit Britain. London: Runnymede. This report aims to analyse and understand how race and class interact – notably by interrogating the persistence and extent of intergenerational inequalities on the grounds of race and class, and examining how those are then supported by racist and classist attitudes and behaviours.
https://www.runnymedetrust.org/uploads/publications/pdfs/Race%20and%20Class%20Post-Brexit%20Perspectives%20report%20v5.pdf
Intersectionality
Report
Parkinson, A and Buttrick, J. (2013) Equality and diversity within arts and cultural sector in England. London: Arts Council England. This report establishes a baseline of data, evidence and research about equality and diversity across the arts and cultural sector. It offers a snapshot of current trends and challenges across four key themes: arts and cultural audiences, participation, workforce, and access to finance.
https://www.artscouncil.org.uk/sites/default/files/download-file/Equality_and_diversity_within_the_arts_and_cultural_sector_in_England.pdf
Intersectionality
Report
Patel, K. (2019) Supporting diversity in craft practice through digital technology skills development. Birmingham: Birmingham City University. This report examines the creative drivers and some of the challenges facing black and minority ethnic women workers in the UK specifically in relation to their online profile and presence.
https://craftexpertise.com/wp-content/uploads/2019/03/Supporting-Diversity-in-Craft-Practice-report-March-2019.pdf